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Dau Go
Grotto
The grotto
is on
Driftwood
Island. Seen
from afar,
the entrance
to the
grotto
appears to
be blue, and
has a shape
similar to
that of a
jellyfish.
After 90
steps up the
island, the
entrance is
reached. The
ceiling of
the grotto
is about 25
m. Hundreds
of
stalactites
falling down
from the
roof of the
grotto look
like a
waterfall.
The grotto
is divided
into three
main parts.
The
exterior is
a room with
a vault full
of natural
light. Many
forms may be
seen in the
rock
formations
of the
chamber,
depending on
the
imagination
of the
visitor of
course.
Crossing the
first
chamber, one
enters the
second
chamber
through a
narrow
passage. The
light here
is
mysterious,
and new
images
appear in
the stone.
It makes us
having a
fear and be
inquisitive.
The third
chamber of
the grotto
is widely
opened. At
the end of
the grotto
is a well of
clear water.
Looking up
in the dim
light we
recognize
that
surrounded
is the image
of an
ancient
citadel and
a scuffle of
elephants,
horses, man
with bristly
sword and
spear. All
are making a
rush and be
petrified
suddenly.
The name
Driftwood
Grotto came
from a
popular
story of the
resistance
war against
the Yuan -
Mongolian
aggressors.
In a
decisive
battle, Trân
Hưng Ðậo was
given the
order to
prepare many
ironwood
stakes here,
to be
planted on
the riverbed
of Bạch Ðằng
River. The
remaining
wooden
pieces found
in the
grotto have
given it its
present
name.
And the name
Giâu Gô is
associated
with the
legend that
General Trân
Hưng Ðạo
(1226-1300)
hid ironwood
stakes in
preparation
for the Bạch
Đằng battle
against the
Yuan-Mongolian
invaders.
If the Thiên
Cung Grotto
is
monumental
and modern
(in its
natural
form), then
Driftwood
Grotto is
solemn, but
also
grandiose.
In "Marvels
of the
World,"
published in
France in
1938, the
author
called the
grotto "Grotte
des
merveilles"
(a site of
many
marvels)
In the first
chamber, in
the very
middle of
the grotto,
is a
colossal
pillar
supporting
the large
vault. On
the top of
the pillar,
there
appears to
be a monk
draped in a
long, dark
cloak, with
his right
hand
clasping a
cane.
The second
chamber is
narrow.
Here, the
stalactites
look smaller
but more
graceful.
One feels
like going
to a pagoda
with a monk
in
meditation
so that one
steps more
gently.
The third
chamber
features
high stone
columns out
of which
nature has
carved
images of a
large
kingdom, of
heroes and
soldiers
holding
swords and
spears
rushing up,
of war
elephants
and horses
or lions,
etc. All of
them
suddenly was
petrified
and remained
there for
good. |